By definition, Harry Connick Jr. is anything but safe.
From his first major break onto the scene with 20 and
his contributions on the When Harry Met Sally soundtrack
to his most recent album She, Connick has swung from a
conservative big band style to a rambunctious flash of
fusion.
Tuesday night, that rhapsodic rendition of jazz, funk,
ballad and rock 'n' roll will take the stage at the Lied
Center for Performing Arts as Connick and his funk band hit
the UNL campus stop of their "She College Tour."
The 7:30 p.m. show is sold out.
It has been a little over a year since Connick played
before a Nebraska audience. The original She tour stopped
at Ak-Sar-Ben in Omaha during summer 1994. That night,
Connick had the crowd breaking through barricades and
dancing under the stars as he invited fans to leave their
seats and surround the stage.
The detachment from the crowd set up by fences was not
the arena Connick wanted to play.
For those surprised by She, Connick says the style is
simply getting back to his roots.
"This is the music I've played my whole life," he says.
"Everything I have done revolves around the New Orleans
experience."
Connick was born in that steamy Louisiana town. By the
time he was 6 years old he was playing at his father's
swearing-in ceremony as district attorney. A few years
later, the 10-year-old Connick was recording with a local
jazz band.
He studied with the likes of Ellis Marsalis and James
Booker while playing his music in the city's French Quarter.
His first album was released by the time he was 19.
What followed was a string of hit albums, videos and
appearances in movies such as Memphis Belle, and, most
recently, Copycat.
"I'm the kind of person who's always changing it up,"
he says.
Those experiences and that attitude played into the
making of She, including the song "Booker," inspired by
his early piano teacher. Tuesday night, Connick, the funk
band and the music of She will bring with them a show the
likes of which has never been presented on the Lied Center
stage.
"I thought it was understood, by everyone in this room...,"
Connick sings soulfully in the opening bars of "Honestly Now."
"Safety's just danger out of place."