Crooner and actor Harry Connick Jr. has played a tailgunner in Memphis Belle, a
college student in Little Man Tate, a serial killer in Copycat, a jet fighter pilot
in Independence Day, and a love interest in Hope Floats, among other supporting roles.
But he's never carried a movie before.
That is, until Wayward Son -- a small-budget, slow-moving, period drama about an ex-con
adjusting to life outside jail in 1930s Louisiana.
"I didn't even think about it," says the smooth-talking Connick, 32, of carrying his
first film. "I just was looking for a good piece of writing, 'cause I read a lot of
stuff, and some of it's the lead role, some of it's a little, tiny role. But a lot of
the stuff I read is garbage, and I'm like, 'Man, I don't need to do this.' If I do
something and invest that much time and emotion in it, I want it to be worthwhile."
Wayward Son, written and directed by New York-based, first-time filmmaker Randall
Harris, had its world premiere at the Toronto International Film Festival on Wednesday
night. It isn't expected to hit theatres until January or February.
Harris, who is also a partner in a digital post-production company, says Connick was
pretty much his first choice for the role of ex-con Jesse Banks Rhodes. Other actors
in the film include British import Pete Postlethwaite (In The Name Of The Father) and
Patricia Clarkson (High Art).
"Before I met Harry I always liked him," said Harris, seated by the singer in a
Toronto hotel room this week.
"I'd been a big fan of his acting 'cause I thought that it was honest. There was a very
straightforward honesty to it that I thought was perfect for this character. And Harry's
Southern, so he understood, on a deeper level, a lot of the issues that we deal with in
the film."
Connick, who is still in the middle of touring to support his latest album, Come By Me --
he played the Air Canada Centre here in late June -- says juggling music and movies can be
hectic at times but one rarely takes away from the other.
"I've never had to cancel the tour because some great movie offer came along. Normally
they cast the principal characters months and months in advance," says Connick, who has
also recently shot the improvisational, ensemble drama The Simian Line with William Hurt
and Lynn Redgrave.
He also says he's glad he made the move into film nine years ago with Memphis Belle.
"I just love to perform. I love to be creative. When I was 20 somebody from Warner
Brothers suggested I audition for a movie. That's when I fell in love with the process.
I just like escaping and inventing a new person. And, you know, I started small. It wasn't
about being a movie star or anything. I like fantasizing and pretending and telling the truth
as another person. I really like that."
Connick also doesn't find it unusual that other musicians -- like Jewel, Sheryl Crow, Alanis
Morissette, Mariah Carey and Gloria Estefan -- are all making their feature-film debuts this
fall in various projects.
"Back to Bing Crosby, that's been happening," he says. "Anybody's who's attracted to
getting up in front of people and singing, I think, would be attracted to movies.
I mean, I'll spin on my head. Even if we're shy people, we're entertainers, we're
performers. It's a very clear reason why we do it. It's another chance to be creative."